This is a first of many
posts in creating a permanent online memorial commemorating the lives of the
victims of Brooklyn Theater Fire. The story is almost one hundred forty years
old, and I learned about it in 2008 while still a student at the Brooklyn College.
It is a tragic tale that has not been told fully. Ever since my graduation in
2009, it has been my goal to create a memorial for all those who lose their
lives that fateful night on December 5, 1876.
~*~
The Theater and the Play
Talks around the town
about Mrs. Conway's new theater in Brooklyn began in early months of
1871. Sarah Crocker Conway (1834-1875) and her husband, Frederick B.
Conway (1819-1874), were successful managers of the Park Theater on Adams
Street since 1864. They took over from the original proprietor, Mr.
Gabriel Harrison, who had financial difficulties in running the theater since
its doors opened a year prior. The Conways were successful enough that they
required a new playground for their artistic abilities, and so the Brooklyn
Theater was built on the corner of Washington and Johnson Streets, located
diagonally from the Park Theater on Adams and Fulton Streets.
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Portion of Plate
F in Detailed Estate and Old FarmLine Atlas of The City of Brooklyn as published by G.M. Hopkins and
Co. in 1880
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"Opening of the New
House of Amusement" was announced in the Brooklyn
Daily Eagle. On October 2, 1871, "precisely at the hour of
seven o'clock the doors were thrown open" and" at "eight o'clock
the curtain went up and discovered the full strength of the company standing
upon the stage. 'The Star Spangled Banner' was sun...[and at] its close, Mr.
and Mrs. Conway entered upon the stage, and, being recognized, they were
accorded such a reception as but few public people receive in their
lifetime."
The opening play
was Money, a comedy by an English playwright Lord Lytton. "Of course, the house
was crowded," reported the Eagle, "and a greater
number stood outside and watched the fortunate possessors of seats go in."
Such crowds at the Brooklyn Theater were hard earned by the determination of
its proprietors, for theirs was a competition with many other "amusement
houses" not only in Brooklyn but also in New York. Actually, the whole
venture in the Brooklyn Theater, as was reported in Mrs.
Conway's obituary "proved a disastrous investment. The
class of audiences to which they now appealed again were slow to believe that
as good performances could be given in Brooklyn as in New York."
The fight to carve a
niche in the theater world of Brooklyn proved too much for Mr. Conway; he
withdrew himself from work as his health began to deteriorate by 1873. On September 6, 1874, Frederick Bartlett
Conway died in Massachusetts and his body was brought to Brooklyn to be
laid to rest in the Green-Wood Cemetery (Lot 16823, Section 167).
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Brooklyn
Theater is the second building to the left of post office.
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Three months later, the
Union Theater in New York announced production of a new play, The Two Orphans. The play was an adaptation
by Naphtali Hart Jackson of New York from the French Les Deux Orphelines by Adolph
D'Ennery and Eugene Cormon. The Union Theater was owned by Sheridan Shook
and managed by Albert Marshman Palmer, the two men who commissioned Hart
Jackson (who legally changed his name in 1876) for the English version of the
play.
On April
12, 1876, Mrs. Conway, having obtained permission from Messrs.
Shook and Palmer, staged the production of The Two Orphans in Brooklyn
Theater for the first time. On that day, Miss Lillian Conway, daughter of
the proprietors, made her stage debut in the role of Louise, one of the
orphans. "The play was played, and success followed. Mrs. Conway at
last saw her dreams realized. She started to reach this goal. She reached it
and died" on April 28, 1876, reported The Eagle. Children
of the Conways became the new lessees, but within a year of their management
they had to relinquish their interests in Brooklyn Theater in favor of Messrs.
Shook and Palmer.
On December 5, 1876, the
evening issue of the Brooklyn Daily Eagle published a review
of The Two Orphans from previous night: on a scale as to human
and mechanical interpretation, which certainly made a near approach to the
common idea of perfection. The audience, although in point of numbers it was
scarcely on a par with the claims of the occasion, was visibly moved during the
progress of the play and must have left the theatre with an impression of the
performance such as in itself ought to prove no bad advertisement of its
excellence. The applause was frequent, hearty and spontaneous, and in
response to it the curtain had to be raised after nearly every one of the seven
tableaux, by which the action of the piece is articulated...The whole
representation, therefore, was one which exacts the acknowledgement that little
can be said of it except in the way of praise.
After a few hours the
review was published, the doors of the Brooklyn Theater were opened once again
for the audience. That night, the play took a different turn by the time it
ended. At about 11:15 pm, just before the last act, the house curtains caught
fire. In less than half hour, the entirety of the theater building was engulfed
in flames.
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| Cover of the December 23, 1876 issue of the Harper's Weekly |
The Number of Victims
Of the primary sources
of information, the newspapers are the most common, but they are secondary in
accuracy compared to the official records. These included reports given by the
coroner of the city of Brooklyn, Henry C. Simms, the fire marshall, Patrick
Keady, and the Executive Committee of the Brooklyn Theater Fire Relief
Association report. My goal is to explore these sources, which deal primarily
with the victims. The most important of the above mentioned is the coroner's
report.
In the panic that
ensued immediately following the fire, local newspapers published
updated lists daily; sometimes twice a day, as more people searched for their
loved ones. The reporters had two sources of information, the place of the
tragedy and the families of the victims. The list was both of the actual dead
found at the theater and the supposed victims of individuals who were reported
missing by their families.
The Daily Argus printed a booklet
titled The Holocaust at the Brooklyn Theatre with
an alphabetical list of the victims. The paper claimed that it was "the
only authentic roll of the missing and recognized dead" being compiled
"from official sources" with the "names of the recognized
bodies...indicated by an asterisk (*)." When all the names are
tallied, there are 350 total, including 138 unrecognized names and 212
identified bodies. These figures differ from other published reports.
The Brooklyn Daily
Eagle published extensive reports of the fire giving detailed descriptions
of the events leading up to it. For example, page four of the December
6, 1876 issue was exclusively devoted to the matters related to "The
Calamity" and included the first list of the missing and injured
individuals. The first list of the "Known to be Dead" included a
dozen names: At this writing thirty bodies have been taken out, but the
pile is still four to five feet deep on the floor of the cellar under the
vestibule.
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| The Eagle, December 7, 1876 issue, page 2 |
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| The Eagle, December 7, 1876 issue, page 4 |
As excavations of the
rubble continued, the morgue was near capacity, prompting the city to establish
makeshift morgues at nearby markets and theaters. By day two, The Eagle
ran conflicting headlines: "Two Hundred and Eighty Dead" on page two
and "Two Hundred and Ninety Dead" on page four.
On December 8, day three
after the fire, The Eagle reported that "THE
HOLOCAUST" consumed the lives of two hundred and ninety three
individuals. The last list of the victims reported by the Daily Eagle was
in the December 9 issue, on the same day when the
burial of the unrecognized bodies took place in a mass grave in the Green-Wood
Cemetery. Of the reported names, the list contained 163 names of individuals
for whom burial permits were issued by the coroner. There were also 83 names of
"persons known or believed to have perished in the flames whose bodies
have not been identified". Some names however, appear on the list of those
individuals who were given burial permits by the coroner.
Fire Marshal Keady lists 284 victims of the
fire that included 102 "unknown bodies". This list is identical in
number as reported by the coroner. Henry C. Simms issued 186 certificates
of deaths, of those 3 were for unidentified victims; one for "100 bodies
for burial" and two certificates each for one unknown body, thus a total
of 102 were unrecognized. Burial permits were issued for 285 individuals. One
victim of the fire was inadvertently issued two copies of death
certificate, bringing the total number to 284.
The above link shows a
list of victims organized by the death certificate numbers. It is a pdf file
that can be downloaded and searched. It is important to note that there are
gaps in the sequence of the certificates, i.e. between 11408 and 11424, whose
records show cause of death other than fire at the Brooklyn Theater. Also, the
last two individuals on the list, William Dench and John E. Cumberson, who were
rescued, died a few days from the injuries. Regarding the records of the
unknown victims, the above list does not include the third certificate which
was issued at the end of December for someone who was laid to rest in
Green-Wood on December 30, 1876.
And last, but not least,
on one side of the granite obelisk that marks the site of the burial of
the unknown victims in the Green-Wood Cemetery, the inscription
reads: the remains of one hundred and three were buried in this plot
with civic and military honors, on Saturday December 9, 1876. As the
official records indicate, there were only 102 unknown victims, which is also
confirmed by the records of the cemetery. Moreover, remains of four known
victims were also laid to rest in the mass grave with the unknowns as their
burials were paid for by the City of Brooklyn. Therefore, there are a total of
106 victims buried "under the obelisk" in Lots 22427-22432 in the
Green-Wood Cemetery.
The Goal
My goal is to establish
an online memorial for each of the known victims of the Brooklyn Theater Fire,
whose total number is 182 individuals. The death certificates indicate places
of death, which I will visit as part of the project. With the exception of
eight who found their resting places outside of the state, all of the victims
were buried in various cemeteries in New York City; the Catholic Cemeteries
being the resting place of majority of the victims. I visited several
unmarked graves, which I hope to remedy. But first things first
first. This online memorial will list the full name of each victim along with
corresponding records such as birth and marriage certificates, census and
military reports, photographs where available and biographical sketches of each
individual. Tonight marks the 139th anniversary of the fire. With my goals
before me, I press on. Check back for the next installment.
